All of these images appeared in the Times of 17 April 2017. I have retained the original captions as part of the scans.
The exercise is to write my own captions and comment on how they recontextualise the image. I have attempted to find both anchorage and relay meanings.
Surprise winner of Walt Disney lookalike competition.
This caption gives an alternative anchorage, explaining the delight of the crowds but relying on the appearance rather than the identity of the person being celebrated.
“Tomorrow belongs to me”
This caption gives an alternative anchorage for the image, through a relay comment, giving a connoted meaning. It relies on an assumed cultural experience between the writer and the viewer (the crowd scene in the 1972 film ‘Cabaret’) to draw a parallel with Germany in the 1930s and Hitler’s progressive subversion of the democratic process.
There was a young fellow from Ankara …
Another relay comment, relying on some shared cultural experience. In this case, it is a reference to Boris Johnson’s winning entry in the Spectator magazine’s President Erdogan Offensive Poetry competition, and is intended to hold Erdogan up to ridicule.
Ghost riders in the sky
A relay caption, echoing the 1948 song of the same title. The horses are in the sky and have no riders.
Firefighter hallucinates after blaze at cannabis farm
This caption gives an alternative anchorage to the image, although the viewer would have to share the subject’s hallucination for it to work. This is an image which is not explicable without some sort of caption, whether the original or one of my alternatives.
WW1 veteran promotes the anti-ageing qualities of mud-packs
Notionally an anchorage caption, but with elements of the surreal.
“Mud, mud, glorious mud”
Another quotation from a song (Flanders and Swann, 1956). This caption could be taken as anchorage, explaining the subject’s expression, or as relay – linking to the song and the hippopotamus, which leads to:
I keep thinking it’s Tuesday
This is a sort of ‘second generation relay’ caption, referring back to Paul Crum’s 1937 cartoon but first requiring the viewer to pick up a hippopotamus reference via the mud, the subject’s expression and Flanders and Swann.