This is a ‘naive first thoughts’ posting on assignment 4, in advance of reading any of the course notes for part 4. For the first time, an assignment is not expecting images as its ‘deliverable’ but a written piece.
It is good to see that OCA are sticking with the traditional exchange rate (1 picture = 1000 words). How tricky will that be? My ‘day job’ building survey reports run to 4000-5000 words and are based on a form of research; my survey is a fact-gathering exercise and the report requires me to organise my thoughts and express them in a concise and clear way. The differences are that when looking at a building, I am dealing with very familiar territory and I have evolved a template for reporting in a logical sequence.
In my previous journeys through the groves of academe, I have encountered coursework exercises requiring 1000-3000 words. However, these have typically been in answer to a set question. The present exercise is very broad and it appears that the first task will be to identify the questions that I will eventually answer.
Actually, the first task will be to identify a photograph to work with. An easy option is to use one of the ‘standards’, such as HCB’s Behind the Gare St. Lazare or Nick Ut’s Napalm Girl, both of which have had thousands of words written already; the downside is the difficulty of coming up with anything new to say about either. I have a favourite photograph, by Sergio Larrain, of a girl standing on a lion at the base of Nelson’s Column which may offer the opposite problem, a difficulty in finding enough words at all.
I have personal reading list, in addition to the course notes. I read Judith Williamson’s Decoding Advertisments and Richard Salkeld’s Reading Photographs when I started C&N, and will now revisit them. I also want to re-read Terry Barrett’s Criticising Photographs, which I first read eight years ago and didn’t ‘get’ (because I had a different motivation at the time). I also have Sylvan Barnet’s A Short Guide to Writing about Art, but that seems to be more about writing style than about photography.