I am currently reading Terry Barrett’s ‘Criticizing Photographs‘ as a prelude to making a serious start on Part Four (Reading Photographs). I will blog a review when I finish it, but I am already finding scope for a bit of personal reflection.
Actually, I am re-reading the book and this is the second copy that I have owned. I originally bought it in 2010 when I had just joined a camera club and was hoping to get some insight into how judges evaluate images on competition nights. I found it useless for that purpose, full of irrelevant and off-topic material and promoting a view of ‘art’ that I did not recognise, so I disposed of it.
Now, seven years on and two years into the OCA degree course, I have a second copy which I am re-reading with different eyes and finding it quite fascinating. It is dealing with topics that I recognise, and I am now familiar with (or at least have heard of) many of the photographers, critics and photographs that he references.
The point of this post is a realisation that my horizons have broadened since starting this course. I am not knocking camera club judges (and I have seen some snobbish comments about camera clubs on the OCA Facebook and forum pages) but I recognise that there are different ways of looking at photographs. The club approach looks at images in a formal, technical and aesthetic way but does not look behind them at the meaning. Judges will often say that they are only interested in the image as presented, not in the process by which it was made. On the other hand, the technical quality and composition of club competition images is superior to many of the examples that the OCA course promotes. I hope that, by immersing myself into both cultures, I can become a photographer encapsulating the best of both worlds.